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	<title>India Handicrafts &#187; Painting</title>
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	<description>Craft  art  handicraft news</description>
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		<title>The Jokhang Temple and Pothala Palace — Lhasa, Tibet, China</title>
		<link>http://www.indiahandicrafts.org/arts/2010/08/handicrafts-the-jokhang-temple-and-pothala-palace-%e2%80%94-lhasa-tibet-china/</link>
		<comments>http://www.indiahandicrafts.org/arts/2010/08/handicrafts-the-jokhang-temple-and-pothala-palace-%e2%80%94-lhasa-tibet-china/#comments</comments>
		<pubDate>Tue, 03 Aug 2010 15:42:41 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Arts]]></category>
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		<guid isPermaLink="false">http://www.indiahandicrafts.org/arts/2010/08/handicrafts-the-jokhang-temple-and-pothala-palace-%e2%80%94-lhasa-tibet-china/</guid>
		<description><![CDATA[ Jump to the full entry &#038; travel map Lhasa, Tibet, China We were both up early due to the difficulty sleeping at altitude (we're still at 3700m) and Adele&#8217;s blocked nose, so we sent a couple of hours getting our washing and drying done, before heading down to the lobby to meet Leon (the Chinese guide) to head into Barkhor Square and the Jokhang Temple. Out the front of the temple dozens of pilgrims prostrate themselves full length on the ground in prayer to Buddha, repeating their short ritual over and over. We made our way past them and into the tourist entrance of the temple, and proceeded to have a very rushed tour, led by Pemba (the Tibetan guide)]]></description>
			<content:encoded><![CDATA[<p> Jump to the full entry &#038; travel map Lhasa, Tibet, China We were both up early due to the difficulty sleeping at altitude (we&#8217;re still at 3700m) and Adele&#8217;s blocked nose, so we sent a couple of hours getting our washing and drying done, before heading down to the lobby to meet Leon (the Chinese guide) to head into Barkhor Square and the Jokhang Temple. Out the front of the temple dozens of pilgrims prostrate themselves full length on the ground in prayer to Buddha, repeating their short ritual over and over. We made our way past them and into the tourist entrance of the temple, and proceeded to have a very rushed tour, led by Pemba (the Tibetan guide)</p>
<p>View original post here:<br />
<a target="_blank" href="http://feedproxy.google.com/~r/Recent-Travel-Blogs-RSS/~3/U-7WIqlNKCQ/tpod.html" title="The Jokhang Temple and Pothala Palace — Lhasa, Tibet, China" rel='nofollow'>The Jokhang Temple and Pothala Palace — Lhasa, Tibet, China</a></p>
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		<title>Random Photo: Shepard Fairey Branches Out Into Toy Design</title>
		<link>http://www.indiahandicrafts.org/arts/2010/08/handicrafts-random-photo-shepard-fairey-branches-out-into-toy-design/</link>
		<comments>http://www.indiahandicrafts.org/arts/2010/08/handicrafts-random-photo-shepard-fairey-branches-out-into-toy-design/#comments</comments>
		<pubDate>Mon, 02 Aug 2010 23:03:49 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Home Made Beauty Tips]]></category>
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		<guid isPermaLink="false">http://www.indiahandicrafts.org/arts/2010/08/handicrafts-random-photo-shepard-fairey-branches-out-into-toy-design/</guid>
		<description><![CDATA[ Artist Shepard Fairey, best known for his iconic &#8220;Hope&#8221; painting of Barack Obama, has designed his first-ever toy. &#8220;Mr. ]]></description>
			<content:encoded><![CDATA[<p> Artist Shepard Fairey, best known for his iconic &#8220;Hope&#8221; painting of Barack Obama, has designed his first-ever toy. &#8220;Mr. </p>
<p><img src="http://www.indiahandicrafts.org/wp-content/uploads/2010/08/c353a134f2Fairey.jpg-119x150.jpg" /></p>
<p>Originally posted here:<br />
<a target="_blank" href="http://feedproxy.google.com/~r/b5media/thegloss/~3/eiNC2hW8bBg/" title="Random Photo: Shepard Fairey Branches Out Into Toy Design" rel='nofollow'>Random Photo: Shepard Fairey Branches Out Into Toy Design</a></p>
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		<item>
		<title>Brag Better About Your Art, About You</title>
		<link>http://www.indiahandicrafts.org/arts/2010/08/handicrafts-brag-better-about-your-art-about-you/</link>
		<comments>http://www.indiahandicrafts.org/arts/2010/08/handicrafts-brag-better-about-your-art-about-you/#comments</comments>
		<pubDate>Mon, 02 Aug 2010 19:31:05 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Arts]]></category>
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		<guid isPermaLink="false">http://www.indiahandicrafts.org/arts/2010/08/handicrafts-brag-better-about-your-art-about-you/</guid>
		<description><![CDATA[ Peggy Klaus is the author of Brag! How to Toot Your Own Horn Without Blowing It , which I recommend for every artist. I was thrilled to interview her about this book back in 2008 since it&#8217;s a topic artists struggle with: bragging about themselves and their accomplishments. ]]></description>
			<content:encoded><![CDATA[<p> Peggy Klaus is the author of Brag! How to Toot Your Own Horn Without Blowing It , which I recommend for every artist. I was thrilled to interview her about this book back in 2008 since it&#8217;s a topic artists struggle with: bragging about themselves and their accomplishments. </p>
<p><img src="http://api.tweetmeme.com/imagebutton.gif" /></p>
<p>Continue reading here:<br />
<a target="_blank" href="http://feedproxy.google.com/~r/ArtBizBlog/~3/CysgM4q_zus/bragbetter.html" title="Brag Better About Your Art, About You" rel='nofollow'>Brag Better About Your Art, About You</a></p>
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		<title>Carolee Schneemann  in New Paltz</title>
		<link>http://www.indiahandicrafts.org/arts/2010/08/handicrafts-carolee-schneemann-in-new-paltz/</link>
		<comments>http://www.indiahandicrafts.org/arts/2010/08/handicrafts-carolee-schneemann-in-new-paltz/#comments</comments>
		<pubDate>Mon, 02 Aug 2010 02:27:10 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Arts]]></category>
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		<guid isPermaLink="false">http://www.indiahandicrafts.org/arts/2010/08/handicrafts-carolee-schneemann-in-new-paltz/</guid>
		<description><![CDATA[ Carolee Schneemann is one of the most important artists of the past forty years, so why did I find myself on a bus headed to a rural university an hour and a half north of New York City to see the most complete American overview of her work since an exhibition at the New Museum in  1997? Performance art is unthinkable without Schneemann who developed a feminist-centered art before the feminist movement existed]]></description>
			<content:encoded><![CDATA[<p> Carolee Schneemann is one of the most important artists of the past forty years, so why did I find myself on a bus headed to a rural university an hour and a half north of New York City to see the most complete American overview of her work since an exhibition at the New Museum in  1997? Performance art is unthinkable without Schneemann who developed a feminist-centered art before the feminist movement existed</p>
<p><img src="http://www.indiahandicrafts.org/wp-content/uploads/2010/08/7b7022edd0sper-2.jpg-150x99.jpg" /></p>
<p>Original post:<br />
<a target="_blank" href="http://theartblog.org/2010/08/carolee-schneemann-in-new-paltz/" title="Carolee Schneemann  in New Paltz" rel='nofollow'>Carolee Schneemann  in New Paltz</a></p>
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		<title>Shop Wide Week-End Sale Ends Today</title>
		<link>http://www.indiahandicrafts.org/arts/2010/08/handicrafts-shop-wide-week-end-sale-ends-today/</link>
		<comments>http://www.indiahandicrafts.org/arts/2010/08/handicrafts-shop-wide-week-end-sale-ends-today/#comments</comments>
		<pubDate>Sun, 01 Aug 2010 18:44:00 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<description><![CDATA[ I had a Shop Wide Sale this Week-end! EVERYTHING has been discounted... from 10% to 50%. I'll be discontinuing some of the bookmarks and prints once this week-end sale is over..]]></description>
			<content:encoded><![CDATA[<p> I had a Shop Wide Sale this Week-end! EVERYTHING has been discounted&#8230; from 10% to 50%. I&#8217;ll be discontinuing some of the bookmarks and prints once this week-end sale is over..</p>
</p>
<p><img src="http://www.indiahandicrafts.org/wp-content/uploads/2010/08/9d4f5983dbblows.jpg-150x150.jpg" /></p>
<p>Follow this link:<br />
<a target="_blank" href="http://anotherpaintingblog.blogspot.com/2010/08/shop-wide-week-end-sale-ends-today.html" title="Shop Wide Week-End Sale Ends Today" rel='nofollow'>Shop Wide Week-End Sale Ends Today</a></p>
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		<title>PAFA’s Summer Surprises and more</title>
		<link>http://www.indiahandicrafts.org/arts/2010/08/handicrafts-pafa%e2%80%99s-summer-surprises-and-more/</link>
		<comments>http://www.indiahandicrafts.org/arts/2010/08/handicrafts-pafa%e2%80%99s-summer-surprises-and-more/#comments</comments>
		<pubDate>Sun, 01 Aug 2010 16:11:12 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://www.indiahandicrafts.org/arts/2010/08/handicrafts-pafa%e2%80%99s-summer-surprises-and-more/</guid>
		<description><![CDATA[ The Pennsylvania Academy of the Fine Arts , in the past two years, has acquired work by five African American artists, four of them from the international and national art strataspheres. Their work looks spectacular in the show Summer Surprises, an exhibit that includes recent acquisitions of work by 11 artists, placing the 11 in the context of some earlier acquisitions also on display! The large contingent of artists of color working within yet challenging and stretching the academy&#8217;s reality-based tradition is the big news. The five with work acquired in 2010 and 2009 are Mickalene Thomas, Kehinde Wiley, Mark Bradford, Odili Donald Odita and Clarence E. ]]></description>
			<content:encoded><![CDATA[<p> The Pennsylvania Academy of the Fine Arts , in the past two years, has acquired work by five African American artists, four of them from the international and national art strataspheres. Their work looks spectacular in the show Summer Surprises, an exhibit that includes recent acquisitions of work by 11 artists, placing the 11 in the context of some earlier acquisitions also on display! The large contingent of artists of color working within yet challenging and stretching the academy&#8217;s reality-based tradition is the big news. The five with work acquired in 2010 and 2009 are Mickalene Thomas, Kehinde Wiley, Mark Bradford, Odili Donald Odita and Clarence E. </p>
<p><img src="http://www.indiahandicrafts.org/wp-content/uploads/2010/08/fe48dc6ebchomas1.jpg-121x150.jpg" /></p>
<p>Follow this link:<br />
<a target="_blank" href="http://theartblog.org/2010/08/pafas-summer-surprises-and-more-2/" title="PAFA’s Summer Surprises and more" rel='nofollow'>PAFA’s Summer Surprises and more</a></p>
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		<title>Restoration puts the drama back in the Gross Clinic</title>
		<link>http://www.indiahandicrafts.org/arts/2010/07/handicrafts-restoration-puts-the-drama-back-in-the-gross-clinic/</link>
		<comments>http://www.indiahandicrafts.org/arts/2010/07/handicrafts-restoration-puts-the-drama-back-in-the-gross-clinic/#comments</comments>
		<pubDate>Sat, 31 Jul 2010 15:35:03 +0000</pubDate>
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		<guid isPermaLink="false">http://www.indiahandicrafts.org/arts/2010/07/handicrafts-restoration-puts-the-drama-back-in-the-gross-clinic/</guid>
		<description><![CDATA[ By Peter Crimmins The restoration crew at the Philadelphia Art Museum likes to say that The Gross Clinic now looks like it did when it came off Thomas Eakins easel in 1875. Only partially true. The way it is presented in the Museum’s Perelman Building is nothing like the debut the painting had at the 1876 Centennial Expo in Fairmount Park]]></description>
			<content:encoded><![CDATA[<p> By Peter Crimmins The restoration crew at the Philadelphia Art Museum likes to say that The Gross Clinic now looks like it did when it came off Thomas Eakins easel in 1875. Only partially true. The way it is presented in the Museum’s Perelman Building is nothing like the debut the painting had at the 1876 Centennial Expo in Fairmount Park</p>
<p><img src="http://www.indiahandicrafts.org/wp-content/uploads/2010/08/46bc3c48e6served.jpg-121x150.jpg" /></p>
<p>Read more here:<br />
<a target="_blank" href="http://theartblog.org/2010/07/restoration-puts-the-drama-back-in-the-gross-clinic/" title="Restoration puts the drama back in the Gross Clinic" rel='nofollow'>Restoration puts the drama back in the Gross Clinic</a></p>
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		<title>Taking Advantage of Non-Gallery Art Venues</title>
		<link>http://www.indiahandicrafts.org/arts/2010/07/handicrafts-taking-advantage-of-non-gallery-art-venues/</link>
		<comments>http://www.indiahandicrafts.org/arts/2010/07/handicrafts-taking-advantage-of-non-gallery-art-venues/#comments</comments>
		<pubDate>Fri, 30 Jul 2010 20:21:23 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Arts]]></category>
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		<description><![CDATA[ Guest Blogger: Jeremy Mason As an artist without formal training, I have had to really break into the local art scene.  That process is still happening and it has been a great learning experience. I haven’t yet landed that show at the gallery of my dreams, but I have optimized my exposure by finding creative and respected places to hang my art. Specifically, I have looked for fantastic art spaces without huge barriers to entry. ]]></description>
			<content:encoded><![CDATA[<p> Guest Blogger: Jeremy Mason As an artist without formal training, I have had to really break into the local art scene.  That process is still happening and it has been a great learning experience. I haven’t yet landed that show at the gallery of my dreams, but I have optimized my exposure by finding creative and respected places to hang my art. Specifically, I have looked for fantastic art spaces without huge barriers to entry. </p>
<p><img src="http://www.indiahandicrafts.org/wp-content/uploads/2010/08/3c3b757d57button.gif.gif" /></p>
<p>Read more:<br />
<a target="_blank" href="http://feedproxy.google.com/~r/ArtBizBlog/~3/78Vqcdl-yQc/mason-non-galleries.html" title="Taking Advantage of Non-Gallery Art Venues" rel='nofollow'>Taking Advantage of Non-Gallery Art Venues</a></p>
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		<title>In focus</title>
		<link>http://www.indiahandicrafts.org/arts/2010/07/handicrafts-in-focus/</link>
		<comments>http://www.indiahandicrafts.org/arts/2010/07/handicrafts-in-focus/#comments</comments>
		<pubDate>Thu, 29 Jul 2010 23:36:35 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<description><![CDATA[ Gallery 339 ’s 10-artist summer show, In Review , doesn’t quite come together as a statement about contemporary photography—the fluffy press release extols the work’s “lively, complex, and intelligent dialogue about meaningful issues.” Nonetheless, the uniformly polished work is attractive and occasionally insightful. Kyohei Abe, Imaginary Scape #2, 2008, Archival Inkjet Print, 20 x 20 inches (left). Kyohei Abe, Imaginary Scape #12, 2008, Archival Inkjet Print, 20 x 20 inches (right). ]]></description>
			<content:encoded><![CDATA[<p> Gallery 339 ’s 10-artist summer show, In Review , doesn’t quite come together as a statement about contemporary photography—the fluffy press release extols the work’s “lively, complex, and intelligent dialogue about meaningful issues.” Nonetheless, the uniformly polished work is attractive and occasionally insightful. Kyohei Abe, Imaginary Scape #2, 2008, Archival Inkjet Print, 20 x 20 inches (left). Kyohei Abe, Imaginary Scape #12, 2008, Archival Inkjet Print, 20 x 20 inches (right). </p>
<p><img src="http://www.indiahandicrafts.org/wp-content/uploads/2010/08/91db370daabe_gal.jpg-150x75.jpg" /></p>
<p>Read the original:<br />
<a target="_blank" href="http://theartblog.org/2010/07/in-focus/" title="In focus" rel='nofollow'>In focus</a></p>
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		<title>“Matisse; Radical Invention 1913-17″ at MoMA</title>
		<link>http://www.indiahandicrafts.org/arts/2010/07/handicrafts-%e2%80%9cmatisse-radical-invention-1913-17%e2%80%b3-at-moma/</link>
		<comments>http://www.indiahandicrafts.org/arts/2010/07/handicrafts-%e2%80%9cmatisse-radical-invention-1913-17%e2%80%b3-at-moma/#comments</comments>
		<pubDate>Thu, 29 Jul 2010 15:41:58 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Arts]]></category>
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		<description><![CDATA[ Matisse; Radical Invention 1913-17 at the Museum of Modern Art through Oct. 11 is not for those take the artist at his word that a painting should be like a good armchair: familiar and comfortable, presumably. Rather it’s for those who like a challenge and find that almost a century later some of his work is still unsettling and disturbing; paintings such as the Portrait of Yvonne Landsberg (1914, Philadelphia Museum of Art) defined entirely by scratched lines which radiate like a force field around a sitter who merges with her chair; or the Portrait of Olga Merson (1911, Museum of Fine Arts, Houston) which was seen in Philadelphia in Cezanne and Beyond ]]></description>
			<content:encoded><![CDATA[<p> Matisse; Radical Invention 1913-17 at the Museum of Modern Art through Oct. 11 is not for those take the artist at his word that a painting should be like a good armchair: familiar and comfortable, presumably. Rather it’s for those who like a challenge and find that almost a century later some of his work is still unsettling and disturbing; paintings such as the Portrait of Yvonne Landsberg (1914, Philadelphia Museum of Art) defined entirely by scratched lines which radiate like a force field around a sitter who merges with her chair; or the Portrait of Olga Merson (1911, Museum of Fine Arts, Houston) which was seen in Philadelphia in Cezanne and Beyond </p>
<p><img src="http://www.indiahandicrafts.org/wp-content/uploads/2010/08/91b61f44deatisse.jpg-116x150.jpg" /></p>
<p>More here:<br />
<a target="_blank" href="http://theartblog.org/2010/07/matisse-radical-invention-1913-14-at-moma/" title="“Matisse; Radical Invention 1913-17″ at MoMA" rel='nofollow'>“Matisse; Radical Invention 1913-17″ at MoMA</a></p>
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