Owen Jones and Byzantium
Illustration: Byzantine Ornament from Owen Jones The Grammar of Ornament 1856 Owen Jones placed the chapter on Byzantine ornament between that of the Roman and Arabian in his 1856 book entitled The Grammar of Ornament . This chapter sequence was always important to Jones as it set out his theories of who influenced who and who followed who, both culturally and historically. He saw the decorative style of Byzantium as following on from the Roman phase and being an important element of the following Islamic decorative style
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Owen Jones and Byzantium
Archibald Knox both used and understood the relevance of Celtic design work to the British decorative arts world at the end of the nineteenth and beginning of the twentieth century. Knox was born on the Isle of Man and was of Scottish descent. He had a keen interest in his ancestry and his heritage and was happy to play up that heritage when it came to aspects of his career.
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Archibald Knox and the Celtic Knot
So far MAN readers have donated $1,317 $1,384 $1,409 to MAN’s 2009 DonorsChoose.org challenge, which helps support teachers who want to make sure their students learn about and engage with art. That puts us ahead of the Hirshhorn’s Bulbous Membrane dreams, $1,317 to $0. The rout is on! Keep it up! We’re only $68 from fully funding a project that would help Illinois students study Mexican murals and make one of their own
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MAN readers $1,317, Bulbous Membrane fans $0
Thanks Culture Monster for the heads up. And congratulations all you Fellows ! Philadelphia-based ceramic artist, Kukuli Velarde is a USA Knight Fellow in Crafts and Traditional Arts USA Fellows for 2009 Architecture and Design Neil Denari, USA California Community Foundation Fellow, Los Angeles, California Laura Kurgan, USA Rockefeller Fellow, New York, New York Rick Lowe, USA Booth Fellow, Houston, Texas Kate Mulleavy and Laura Mulleavy, USA Target Fellows, Pasadena, California Crafts and Traditional Arts Perry Eaton, USA Rasmuson Fellow, Anchorage, Alaska Delores Lewis Garcia and Emma Lewis Mitchell, USA Gift of Art Fellows, San Fidel, New Mexico Beth Lo , USA Hoi Fellow, Missoula, Montana Dona Look, USA Windgate Fellow, Algoma, Wisconsin Mary Shaffer, USA Simon Fellow, Taos, New Mexico Kukuli Velarde, USA Knight Fellow, Philadelphia, Pennsylvania Dance Sophiline Cheam Shapiro, USA Knight Fellow, Long Beach, California Lin Hixson and Matthew Goulish, USA Ziporyn Fellows, Chicago, Illinois Hokulani Holt-Padilla, USA Ford Fellow, Wailuku, Hawaii Tere O’Connor, USA Rockefeller Fellow, New York, New York Reggie Wilson, USA Prudential Fellow, Brooklyn, New York Literature Ai, USA Ford Fellow, Stillwater, Oklahoma Nilo Cruz, USA Fontanals Fellow, New York, New York Gilbert Hernandez, USA Rasmuson Fellow, Las Vegas, Nevada Antonya Nelson, USA Simon Fellow, Las Cruces, New Mexico Sapphire, USA Prudential Fellow, Brooklyn, New York Justin Torres, USA Rolón Fellow, Iowa City, Iowa Brian Turner, USA Hillcrest Fellow, Fresno, California Kevin Young, USA James Baldwin Fellow, Belmont, Massachusetts Media Cruz Angeles, USA Simon Fellow, New York, New York Charles Burnett, USA Broad Fellow, Los Angeles, California Scott Carrier, USA Rasmuson Fellow, Salt Lake City, Utah Heather Courtney, USA Ford Fellow, Austin, Texas Elizabeth Meister and Dan Collison, USA Donnelley Fellows, Three Oaks, Michigan Renée Tajima-Peña, USA Broad Fellow, Los Angeles, California Music Rahim AlHaj, USA Ford Fellow, Albuquerque, New Mexico Cyro Baptista, USA Walker Fellow, Tenafly, New Jersey Ella Jenkins, USA Collins Fellow, Chicago, Illinois Danongan Kalanduyan, USA Broad Fellow, San Francisco, California Hannibal Lokumbe, USA Cummings Fellow, Bastrop, Texas Lionel Loueke, USA Prudential Fellow, North Bergen, New Jersey Daniel Plonsey, USA Broad Fellow, El Cerrito, California Theater Arts Dan Hurlin, USA Prudential Fellow, New York, New York Ruth Maleczech, USA Gracie Fellow, New York, New York John O’Neal, USA Prudential Fellow, New Orleans, Louisiana Anna Deavere Smith, USA Berresford Fellow, New York, New York Visual Arts Diana Al-Hadid, USA Rockefeller Fellow, Brooklyn, New York Terry Allen, USA Oliver Fellow, Santa Fe, New Mexico Vija Celmins, USA Broad Fellow, New York, New York Anthony Hernandez, USA Hillcrest Fellow, Los Angeles, California Joan Jonas, USA Friends Fellow, New York, New York Kim Jones, USA Rockefeller Fellow, New York, New York Martin Mazorra and Michael Houston, USA Ford Fellows, Brooklyn, New York Dave McKenzie, USA Rockefeller Fellow, Brooklyn, New York Judy Pfaff, USA Rasmuson Fellow, Kingston, New York Dario Robleto, USA Rasmuson Fellow, Houston, Texas
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US Artists 2009 Fellows include Philly’s Kukuli Velarde
Illustration: M Hrdlicka lace design 1904 A number of traditional mediums saw a re-emergence of their creative side during the latter half of the nineteenth century and the beginning of the twentieth. This creative period was in close proximity to the two style eras that followed each other and in many cases overlapped, namely the Arts & Crafts and Art Nouveau movements.
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Art Nouveau Lace Patterns
Illustration: Margaret Macdonald border pattern Margaret Macdonald, the other but largely invisible half of the influential Mackintosh design duo, was known variously as both a help and hindrance to her husband, the major talent of the duo, or that of a vicious untalented manipulator. All of course are nonsense and we will probably never know fully what contribution either made to the design style that has become known as Mackintosh
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The Margaret Macdonald Rose
Illustration: Mariska Undi Hunting for the Wonderdeer Mariska Undi is perhaps better known as a Hungarian artist and one of the key members of the Godollo Arts & Crafts community. However, she was also a campaigner and champion of the applied arts medium and was personally involved in a number of projects that had textiles at their heart. Throughout her career she had a particular and constant interest in the folk art traditions of her native Hungary.
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The Textile Work of Mariska Undi
Post by Corey Armpriester Delicate dark chocolate squares and tiny ceramic cups half-filled with espresso slowly consumed in a small studio kitchen; flying high on my caffeine buzz (and feeling over confident) I start a modest conversation about art, science, robots and genetically modified foods with the artist that helped map the Human Genome Project, 1980 Nobel Prize winner in chemistry, Wally Gilbert . Wally Gilbert, Four Faces, digital print Corey Armpriester -When you were 14, you created a telescope that could photograph sun spots
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Wally Gilbert – Crossing Lines
Nicolai Cikovsky, born in 1894 Russia, was known for his landscape and figure paintings. He began his studies at the Vilna Art School for four years followed by an additional four years at the Penza Royal Art School. After attending the Moscow High Tech Art Institute for two years he immigrated to America in 1923.
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Nicolai Cikovsky, born in 1894 Russia, was known for his landscape and figure paintings.
Way back in 1950 Richard Taylor wrote an article advising would-be cartoonists to show a little respect for the profession: “The woods are full of pseudo-cartoonists,” wrote Taylor, “grinding out things that are not much better than the average high-school student’s masterpieces, doomed forever to a sub-world of third-rate pictorial humor, and without the ghost of a hope of ever climbing higher.” All this week on my blog I’ve been showcasing the work of some of the masters of mid-20th century cartoon art. Hank Ketcham , John Huehnergarth , Russell Patterson , Roy Doty and Richard Taylor himself
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Cartooning Is Easy! …not.
The American Association of Museums’ code of ethics says that member museums must ensure that “programs are founded on scholarship and marked by intellectual integrity.” Yesterday, in a Q&A here on MAN, New Orleans Museum of Art director E. John Bullard admitted that NOMA’s installation of a Disney marketing display-cum-exhibition in NOMA’s galleries was not founded on scholarship and that intellectual integrity was not a consideration. Bullard said that NOMA’s new exhibition, ‘Dreams Come True,’ originated with the Walt Disney Co.
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Disney markets at NOMA: A major museum error
Post by Judith Stein If you have ever wondered about creativity and the zeitgeist, you will enjoy James Rosenquist ’s new autobiography, Painting Below Zero, Notes on a Life in Art . It is a richly colored account of one artist’s trajectory from the fifties to the present day, an engaging narrative that tracks his transformation from American country boy to international art star.
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Artist tussles with the zeitgeist–James Rosenquist’s new autobiography
at the Cisneros Foundation brunch This was the fifth time I’d gone to ABMB ( Art Basel Miami Beach ) and the multi-ring circus that includes the peripheral art fairs, local museums, collectors who run private museum spaces, temporary public projects and various lectures, performances, film showings and parties. I decided to take it easy and be guided by the interests of several friends who were also in Miami for the events, spending two days with tv news producer, Jake Haselkorn, who’s spent the past 20 years covering Asia and my good friend, Berta Sichel , Director of the Film Department at the Reina Sophia Museum, Madrid, as well as meeting up with Artblog’s Roberta and Libby for a day. The following are random snapshots rather than any attempt at a synthesis
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Art Basel Miami Beach and Associated Art in Miami
It was almost exactly eight years ago that I decided to move back to Canada as I had just accepted the position as the Director of the Canadian Craft & Design Museum in Vancouver. The museum was hidden in a courtyard at the corner of Georgia and Hornby across the street from the Vancouver Art Gallery . I was aware of some of the problems the institution had experienced over the years, and was not unaware that there were probably deeper issues than they were willing to divulge, as they were unable to cover the costs for me to fly to Vancouver for my interview
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What is it about Craft? The Canadian Clay & Glass Gallery Faces an Uncertain Future
Oodles of research reveals just how important arts education is when it comes to developing young minds. According to Americans for the Arts, young people who participate in the arts are many times more likely to be recognized for academic achievement, to be elected to class office within their schools, and are more likely to participate in a math and science fair. My mother was an art educator, so I’m particularly disappointed in how a lack of prioritization, the so-called No Child Left Behind law and other factors have driven the arts out of public schools
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MAN’s 2009 DonorsChoose.org challenge starts now!
I have been thinking about King Tut: The Golden King and the Great Pharaohs at the Art Gallery of Ontario quite a bit lately. Actually I have not been just thinking about it, I have been troubled by it. As a former museum director / curator I have to admit that I have a huge issue with Blockbuster exhibitions
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Toronto Art Critics Talk Art: David Balzer, Otino Corsano, Rosemary Heather, Charlene Lau, Leah Sandals, Nadja Sayej and Murray Whyte
This month’s round of TGRWT is hosted by John Sconzo over at Docsconz , and the foods to pair this time are pumpkin and cooked chicken .* As always you can find instructions on how to participate in the announcement post . If you are new to TGRWT (which stands for They Go Really Well Together), check out the round-ups of the previous 19 rounds ! * In case you wondered why the link to the announcement posts includes lemon grass: There was some confusion regarding how to read the charts at the foodpairing website. The initial suggestion was to use pumpkin and lemon grass, but his has now been changed to pumpkin and cooked chicken
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TGRWT #20: Pumpkin and cooked chicken
Does food fit into this table? Here at Khymos I aim to cover things related to food and chemistry, and as I stumbled over a periodic table of cupcakes (with clickable “elements” linked to recipes) I couldn’t resist to dig a little deeper. And look what I found! The periodic table of elements is iconic, but the periodic table has also become an organizing metaphor for all sorts of things, including food .
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TGIF: Periodic tables of food
Some of my favorites from the Wild Things’ Forts contest by Booooom , where you can send in your picture of a fort…. Here’s the explanation: Where The Wild Things Are is filled with references to building a world out of things from your everyday life and that’s exactly what we want you to do! We want you to create a fort! Use garbage bags, tree branches, tablecloths, prosthetic limbs, wood, gold, whatever you got! Snap a photo, and email it to me, here . Winner gets a “Wild Things” Edition XBOX plus a magnificent bus shelter-sized Where the Wild Things Are poster not available in stores! Contest ends next Monday (October 12th), so get on it!
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The Wild Things Are In Forts
I first fell in love with Caitlin Erskine-Smith’s work at the Luminato Box in Sam Pollack Square during Luminato, the Toronto Festival of Arts and Creativity last June. As I visited the Luminato Box each day of the ten day festival, I became intrigued and fascinated with the way each artist chose to utilize the space. While some artists used the space much as they would any other gallery space, others such as Erskine-Smith integrated their work within the space.
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Caitlin Erskine-Smith, Writing Down the Gauntlet @ Luminato & Tug of Warp @ Scotiabank Nuit Blanche